BIOGRAPHY
Anne-Laure began her journey toward excellence in 2004 at the Maîtrise de Radio France before earning her master’s degree in opera singing from the CNSM in Paris (in Élène Golgevit’s class) with honors.
A first-rate performer, Anne-Laure has made a name for herself on the international stage with her remarkable presence as a soloist. Her mastery of contemporary repertoire has led her to perform the soprano solo part in Ligeti’s demanding *Aventures* and *Nouvelles Aventures*, a prestigious production staged at the Théâtre de l’Athénée, the Festival Présences, and the Palau de les Arts Reina Sofía in Valencia. This expertise is enriched by exceptional collaborations, notably during a high-caliber master class with Barbara Hannigan at the Opéra Comique. She applies the same intensity to the Baroque repertoire, where she has distinguished herself as a soloist with some of the world’s most prestigious ensembles, such as Pygmalion, Balthasar Neumann, and Correspondances.
An accomplished soloist, Anne-Laure began collaborating at a very early age—thanks to her training as a choir member—with elite ensembles such as the Radio France Philharmonic Orchestra, the Orchestre National de France, and the Orchestre de Paris, under the baton of conductors such as D. Gatti, F-X. Roth, D. Harding, and P. Järvi.
The 2025–2026 season reaffirms her affinity for the symphonic repertoire: notably, she will sing the soprano solo in Mendelssohn’s Psalm 42 at the Bâtiment des Forces Motrices in Geneva, Bach’s Christmas Oratorio, among other works, at the Elbphilharmonie in Hamburg; Brahms’s Requiem at the Salle Gaveau; the Petite Messe Solennelle in Nancy; and Handel’s Messiah at the prestigious Halle Festival.
On the opera stage, she has already portrayed key roles such as Pamina (*The Magic Flute*), Adina (*L’Elisir d’Amore*), Eurydice (*Orpheus and Eurydice*), and Micaëla (*Carmen*).
