Press Clippings
Olyrix
Anne-Laure Hulin draws the audience into a lighthearted, comedic performance, […]
She pulls it all off with a superb performance as a seasoned actress, a natural sense of humor, polished pronunciation in all the languages she uses, and remarkable phrasing and accuracy […].
She demonstrates sensitivity in the various styles she explores
Cultnews
A performance delivered with great flair and precision by soprano Anne-Laure Hulin
Concertclassic
Anne-Laure Hulin takes on a series of virtuosic roles, the main one being, of course, Fire.
Olyrix
Anne-Laure Hulin, although still a student at the Paris National Conservatory of Music and Dance, is taking Ana Vieira Leite’s place with great dedication.
Her voice, with its exceptionally focused tone, offers the precision and accuracy required for the repertoire. She grows in confidence as the concert progresses, revealing herself to be a first-rate performer alongside her colleagues Julie Roset and Camille Allerat.
OLYRIX
Anne-Laure Hulin performs *Le Feu* with great vitality […]. The nightingale’s highest notes are impressively clear.
Musicologie.org
While the comedy does tend to overshadow the vocal feat and the complexity of the composition, one cannot help but admire the virtuosity of the performers—Anne-Laure Hulin, Romie Estèves, and Pierre Barret-Mémy.
Resmusica
While remaining faithful to the original score, the composer sought to recreate the rich and subtle acoustic world of the Venetian lagoon, […] through subtle variations in timbre and the use of the extreme high notes of soprano Anne-Laure Hulin, who delivers a masterful performance, in order to compensate for the inevitable reduction in the choir’s range compared to that of the orchestra.
Bahtrack
Of the three soloists, soprano Anne-Laure Hulin is particularly in demand and performs admirably.
Diapasonmag
“The lines, even when broken, flow with great fluidity, and the audience delights in following the successive episodes of a story of domination in which a mezzo [..] and a baritone [..] join forces against a caricatured, sulky soprano, Anne-Laure Hulin.”
"It's funny—very funny, in fact—and, above all, it's perfectly crafted right up to the final dramatic climax."
Concertclassic
Pierre Barret-Mémy (baritone), Anne-Laure Hulin (soprano), and Romie Estèves (mezzo-soprano)—all were flawless, precise in both their singing and their stage presence.
Concertclassic
Léo Warynski can count on performances by outstanding soloists, including Anne-Laure Hulin
Olyrix
Finally, Anne-Laure Hulin, accompanied by pianist Romain Vaille, tackles “Air de la folie” (from Rameau’s *Platée* ), an aria known for its coloratura virtuosity—and its memorable performances. […] Her light, brilliant tone traces the melodic lines with such naturalness that one forgets the difficulty of this fast, virtuosic aria. Her vocal placement is very high in the mask, allowing her to indulge in all the excesses of coloratura, especially as she varies her articulation to spice things up and add a touch of derision.
Concertclassic
Léo Warynski can count on performances by outstanding soloists, including Anne-Laure Hulin