Press reviews
Olyrix
Anne-Laure Hulin draws the audience into a lighthearted, comical performance, […]
She pulls it all off with a fine performance as a seasoned actress, obvious humor, polished pronunciation in all the chosen languages, and remarkable phrasing and accuracy [...].
She demonstrates sensitivity in the various styles she tackles.
Cultnews
The exercise performed with great panache and aptness by soprano Anne-Laure Hulin
Concertclassic
Anne-Laure Hulin plays a number of virtuoso roles, the main one being, of course, Fire.
Olyrix
Anne-Laure Hulin, although still a student at the Paris Conservatory of Music and Dance, is taking Ana Vieira Leite's place very seriously.
Her voice, with its extremely focused tone, offers the precision and accuracy required for the repertoire. She gains confidence as the concert progresses, revealing herself to be a first-rate performer alongside her colleagues Julie Roset and Camille Allerat.
OLYRIX
Anne-Laure Hulin projects the Fire vividly […]. The high notes of the Nightingale impress with their clarity.
Musicology.org
While the comedy tends to overshadow the vocal prowess and complexity of the composition, one cannot help but admire the virtuosity of the performers, Anne-Laure Hulin, Romie Estèves, and Pierre Barret-Mémy.
Resmusica
While respecting the original score, the composer sought to reproduce the rich and subtle acoustic universe of the Venetian lagoon, […] through subtle variations in timbre and the use of the extreme high notes of soprano Anne-Laure Hulin, who was masterful in compensating for the inevitable reduction in the choir's range compared to that of the orchestra.
Bahtrack
Of the three soloists, soprano Anne-Laure Hulin is particularly in demand and performs admirably.
Diapasonmag
"The lines, even when broken, are extremely fluid, and it is a delight to follow the successive episodes of a story of domination in which a mezzo [..] and a baritone [..] join forces against a caricaturally sulky soprano, Anne-Laure Hulin.
It's funny, very funny even, and above all, it's perfectly executed right up to the dramatic climax at the end.
Concertclassic
Pierre Barret-Mémy (baritone), Anne-Laure Hulin (soprano), and Romie Estèves (mezzo), all perfect, precise in their singing as well as in their physical presence.
Concertclassic
Léo Warynski can count on the performances of admirable soloists, including Anne-Laure Hulin.
Olyrix
Finally, Anne-Laure Hulin tacklesRameau's Platée with pianist Romain Vaille, an aria known for its coloratura virtuosity—and its memorable interpretations. […] Her light and brilliant timbre draws the melodic lines with such naturalness that it makes one forget the difficulty of this fast and virtuosic aria. Her vocal placement is very high in the mask, which allows her to perform all the follies of a coloratura, especially as she varies her articulation to spice things up and add more derision.
Concertclassic
Léo Warynski can count on the performances of admirable soloists, including Anne-Laure Hulin.